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表演團隊/草本藥師MANAGONA



草本藥師MANAGONA以音樂及聲音藝術與視覺科技連結作為核心理念,並專注於當代音樂發展和多元跨領域合作。 樂團成員為留法打擊樂家,李茂嵩、鄭宛宜。 回台後嘗試將打擊樂器樂與電子聲響融合實驗的方式呈現,引領著大家思考音樂藝術的純粹與可能性。


MANAGONA holds as its core concept the intersection of music, sound art and visual technology; the focus is on creating a unique contemporary musical experience through inter-disciplinary collaboration. The founding members of MANAGONA are Lee Mao-Sung and Cheng Wan-Yi, who are both graduates of Conservatoire de Versailles, France. Upon their return to Taiwan, the duo began exploring the possibilities of amalgamating percussion with electronic music while augmenting their compositions with electronically-generated visuals. The end result creates an intriguing multi-sensory experience that entices and entrances the listener; the purity of these creations expand the boundaries of one’s perception of music and art.

 

打擊|鄭宛宜

MANAGONA草本藥師樂團成員。近年嘗試多元的演奏風格和開創性的表演藝術,並投入共同創作及跨界交流,持續推進器樂演奏與表演的多樣發展。演出焦點逐漸轉向跨領域合作,積極探索以打擊樂為媒介,與電子音樂互相結合的實驗性表現風貌。


Wan-Yi CHENG, a member of the MANAGONA , has been actively exploring diverse musical styles and innovative performance art in recent years. She is dedicated to collaborative composition and interdisciplinary exchanges, continuously pushing for the multifaceted development of instrumental music performance and artistic expression.


Her performance focus has gradually shifted towards cross-disciplinary collaborations, actively exploring experimental performance styles that blend percussion with electronic music as a medium.




打擊、電子|李茂嵩

MANAGONA草本藥師樂團團長,從一個搖滾樂鼓手,再到法國省立凡爾賽音樂院學習打擊樂,自以為學習古典樂,想不知卻被當代音樂啟蒙人生思想。旅居巴黎時,跨界音樂為當代之潮流,深信音樂、聲音藝術與視覺科技的融合是當今音樂的核心理念。以此為基石,勇於嘗試將打擊樂器與電子聲響相融合,進行實驗性的探索。這種前衛的嘗試不僅為音樂注入了新的元素,也引領著聽眾反思音樂藝術的純粹性以及其所能展現的可能性。


Mao-Sung LEE, the leader of the MANAGONA, began his musical journey as a rock drummer and later pursued percussion studies at the Conservatoire de Versailles in France. Initially, he considered himself to be delving into classical music, but unexpectedly found his life's inspiration in contemporary music. During his time in Paris, he witnessed the trend of cross-genre music and firmly believed that the fusion of music, sound art, and visual technology is the core concept of modern music.

With this foundation, he boldly ventured into experimenting with the integration of percussion instruments and electronic sounds. This avant-garde exploration not only infused new elements into music but also prompted audiences to contemplate the purity of musical art and the possibilities it can encompass.


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