國立成功大學主修工業設計、輔修建築。倫敦藝術大學聲音藝術碩士。 作品橫跨繪畫、詩句、裝置、田野錄音與即興演出等,試圖探索空間中可聽與不可聽之間的身體感知及意識流動。著迷於不同生命系統的生成與溝通,近期聚焦於跨物種聆聽、非語言記憶與聲音圖像聯覺等主題。 曾於國內外各地展演發表,包括倫敦 Hundred Years Gallery、IKLECTIK、Resonance FM、The Lumen Crypt Gallery、東京設計師週、國立臺灣美術館、衛武營國家藝術文化中心、臺南月之美術館、新營文化中心、以色列數位藝術中心等。 2020年獲得南瀛獎新媒體類首獎,作品「月潮搖籃曲 moon tide lullaby: fragility of sonic memory」由臺南市政府典藏。
Artist and researcher currently based in Taiwan. Like sound as clay, Iris crafts her work through drawing, poetry, installation, field recording and improvised performance. Exploring embodied perception at the thresholds between the tangible/intangible, audible/inaudible, conscious/subconscious, her research focuses on the self-propagation of memory and the coexistence between humans and non-humans. In her artpractices she seeks to grasp the fragility of sonic memory as a self-therapeutic process through which tension and identity is formed, de-formed and reformed. Her works have been exhibited and performed at home and abroad, including Hundred Years Gallery (UK), IKLECTIK (UK), Resonance FM (UK), National Taiwan Museum of Fine Arts (TW), Weiwuying (TW), Yuejin Art Museum (TW), Xinying Cultural Center (TW), Tokyo Designers’ Week (JP) and Israeli Center for Digital Art (IL). In 2020, her work ‘moon tide lullaby: fragility of sonic memory’ won the First Prize in Nanying Awards (new media category), which is included in Tainan City Government’s art collection.